Sangwon Lee, Sven C. Olsen, Bruce Gooch. Simulating and Analysing Jackson Pollock’s Painting

The paper devises a system to allow user create Pollock-like painting with a painting material simulator which allows user paint without using real material, and with real-time feedback of fractal properties of the ongoing painting, which gives user an awareness of the similarity between the fractal dimension of the ongoing painting and those of Pollock’s painting. That means, the user is capable of creating Pollock-like painting by keeping the similarity high.

The paper points out that fractal dimension is incapable of distinguishing fractal and nonfactual images, and proposes an new metric, uniformity, to alleviate the limitation. Uniformity indicates the similarity between the fractal dimension of a subregion and those of the entire painting. But, in what way does uniformity distinguish fractal and nonfactual images better than fractal dimension does?