Hit the first issue developing the film: reconcile critics of the storyboard. Exciting!

Problem: my friend, Henry, a professional animator, pointed out that the storyboard is wrong in a lot ways, which my client and I weren’t aware of. Specifically, the order of which the characters appear is wrong – they should all appear in the first place, and go through the entire storyboard. Whereas in the current storyboard, the characters appear at different times.

Discussion: Henry’s criticism makes sense to me, but I don’t understand why all characters should appear in the first place and go through the entire storyboard. For the story we’re developing, is Henry’s opinion better than what we have now?

Solution: answer the following questions:

  • Why should all characters appear in the first place for all types of story?
  • If yes, figure out what’s wrong in the current storyboard, and adjust the storyboard for all characters to appear in the first place
  • If no, stick with the current storyboard, then keep moving to animatic by researching art direction

Edited Solution: it’s reconciled by adding voice on each scene to convey the key message. In the current storyboard, the main characters indeed go across the entire storyboard, but they don’t look obvious to the audience without knowing the key message. Because key message help the audience understand which are the main characters, and which are characters for assisting the story. Example of multi-characters in one story with narratives: It’s So Brill by Animade [1].

Thought: it feels challenged and frustrated and lost when Henry told me that the story is wrong. Because my client and me worked deliberately on every bit of the development of story and storyboard for a month. However, that’s good challenge. The point is to stay calm to figure out the real issue. Henry essentially got lost of the story in front of all the characters, so we need to convey the story to the audience. That way, the audience understand which are the main characters, and which are for assisting the story. The solution is to use voice-over to narrate the key message of each scene, because we do have concrete key messages to back the story.

Reference

[1] London animation studio | Animade. It’s So Brill. https://animade.tv/work/its-so-brill

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